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Thota Tharani on Sivaji

I drew a circle, a square and a pyramid. The circle had a pathway around it and water falling from a huge 50 feet high rock, which would seep under the glass set.

We used acrylic and glass; acrylic on the floor because the glass was dangerous for dance movements. This structure was magnificently created by the people of Ramoji Rao Film City in less than 30 days. I don't think anybody has done such a huge set indoors.

K V Anand had a tough time lighting the set as it was full of glass. In the end, though, he did a fantastic job. These two were the toughest sets I created for Sivaji.

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